August 20, 2021
RECORD COLLECTOR SPECIAL ISSUE
Record Collector Presents Jimi Hendrix is a special edition magazine devoted entirely to the greatest rock guitarist of his time. Featuring guides to his most sought-after worldwide rarities and a comprehensive UK discography; in-depth articles on the making of his classic second album, Axis: Bold As Love; his final months and the recording sessions for his never-to-be-finished fourth album; an examination of his relationship with politics; a look at his early years as a musical gun for hire; new features from some of RC’s best writers on his studio albums and the landmark live sets; an indispensable guide to the tangled web of his posthumous releases; fan profiles; and plenty more.
Available for pre-order: 19 August
Release date: 2 September
Pre-orders dispatched: 31 August
August 16, 2021
PHOTO QUESTION #1
Answer: There are no other photos known to exist of this jam, or at least not in my collection.
The answer to the date can be found in Hendrix 1969: Day By Day, page 146-149:
18 and 19 March: Jimi jams with Lonnie Youngblood and his backing band the Blood Brothers at Small’s Paradise in Harlem, New York City.
More on these jams here:
Hendrix 1969: Day By Day.
April 27, 2021
March 22, 2021
OUT NOW
Hendrix/1969: Day By Day is the latest project by leading authority Ben Valkhoff, in collaboration with Italian researcher and collector Luigi Garuti. The previous book by the Valkhoff/Garuti team – Hendrix/1968: Day By Day – won them a 5-star rating in UK magazines Classic Rock and Record Collector: “Meticulously-detailed, forensically-checked,” “The new gold standard for Hendrix books.”
Valkhoff’s book One Last Experience – The Jimi Hendrix Experience Live At The Royal Albert Hall won him a 4-star rating in UK music magazines Mojo and Record Collector: “Forensic account of the day’s events”, “beautifully presented labour-of-love.”
Hendrix/1969: Day By Day is a 424-pages accounting of Jimi’s life during this tumultuous year. The Valkhoff/Garuti team has documented in detail the concerts of The Jimi Hendrix Experience, studio recordings, after-midnight jam sessions, and interviews. Performance details include: setlists, support acts, eyewitness accounts, and anecdotes by fans. This book also gives us a behind-the-scenes look at Jimi’s love life, leisure time, and his encounters with fans.
Updated with new information, thoroughly researched and highly detailed, Hendrix/1969: Day By Day sets the benchmark for all publications to come, indispensable to all future Hendrix scholars.
★ Pages: 424
★ Size: 170 x 240 mm
Record Collector, April 2021.
December 7, 2020
Blow By Blow
November 10, 2020
MY ANGEL CATHERINA - PART 3
Jimi Hendrix, January 1969 (Vi I Tonåren, January 1969): “The first thing I look for in a girl is whether she’s human. It’s so nice meeting girls not wearing masks... who dare to be kind. I had this girl in Gothenburg once... she’s probably forgotten me by now... you can’t hold on to relationships when you travel like I do. But I’m an adventurer travelling the world to quench my thirst for excitement – and to maybe meet a girl to settle down with... Maybe sometime...”
Jimi Hendrix, December 1969 (in The Superstars In Their Own Words, 1970): “So like ‘Little Wing’ is like one of these beautiful girls that come around sometimes. [...] And like these girls, which is one girl to me, it's like ‘The Wind Cries Mary’ is representing more than one person. [...] ‘Little Wing’ was a very sweet girl that came around that gave me her whole life and more if I wanted it. And me with my crazy ass couldn't get it together, so I'm off here and there and off over there.”
Tommy Rander (Göteborgs-Tidningen, 2 September 1970):
Rander: “Have you had any problems with hotels this time?” (The last time he was in town he smashed up a hotel room at Opalen and wasn't allowed to leave the city for a couple of weeks until things were sorted out.)
Hendrix: “No, everything is OK. But I must say I haven't had such a nice time as when I waited around for the trial in Gothenburg. I met this girl and...”
November 5, 2020
MY ANGEL CATHERINA - PART 2
After I published my story My Angel Catharina online for the www audience, Hendrix researcher Niko Bauer, known for his excellent website www.earlyhendrix.com, made me aware of information which changes the story to some extent.
Jimi finished a version of the lyrics for the song ‘Angel’ on 14 January 1968, naming it ‘My Angel Catherina (Return of Little Wing)’, referring to the girl who kept him company while he was confined to his hotel room in Gothenburg, awaiting the upcoming trial on 16 January. This dedication suggests he wrote the song for her there and then, but, as Bauer correctly pointed out, Jimi had already recorded a demo of the song in November of the previous year, including singing a version of the lyrics.
How ‘Angel’ came about is an interesting story. Some people consider ‘Angel’ and ‘Little Wing’ as sister songs. They both originate from concepts Jimi was working on in 1967, both songs have a common ‘root idea,’ originating from the Monterey Pop Festival event.
Jimi Hendrix, about ‘Little Wing’: “I got the idea like, when we were in Monterey and I was just looking at everything around. So I figured that I take everything I see around and put it maybe in the form of a girl maybe, somethin' like that, you know, and call it 'Little Wing', and then it will just fly away. Everybody's really flyin' and they're really in a nice mood, like the police and everybody was really, really great out there. So I just took all these things an’ put them in one very, very small little matchbox, you know, into a girl and then do it. It was very simple, but I like it though.”
To put things in perspective... Jimi met Catharina for the first time on 13 September 1967 in Gothenburg.
Two weeks later recording sessions for Axis: Bold As Love started on 1 October at the Olympic Sound Studios in London. On 14 October Jimi and Mitch record a demo called ‘Little Wing,’ a try-out for later development. Although marked as ‘Little Wing,’ the song is obviously the earliest known version of ‘Angel’ (with bits of ‘Like A Rolling Stone’), and elements of ‘Little Wing.’ At this point Jimi is still searching for what to do with this ballad.
Two weeks later, on 25 and 28 October, Hendrix records the version that ends up on the Axis album as the ‘Little Wing’ we now know.
On 13 November, two weeks after the final mixes for Axis: Bold As Love, Jimi returns to Olympic Studios to record ‘Sweet Angel,’ and again on 28 December. Both recordings are already similar to the version that ends up on the 1971 Cry Of Love album.
By January 1968, the song had been recorded at some stage of development, complete with lyrics. So how does the lyric sheet of ‘Angel’ end up at the Esso Motor Hotel in Gothenburg? Possibly Jimi carried his lyric notebook around for development while on the road. Another explanation could be that he re-wrote the song (Jimi noted: “Finished January 14, 1968”) at the hotel to refine the words for later use. As he was confined to his hotel room for a week, he may have chosen to spend the time wisely, by concentrating on his lyric writing.
Whatever the case, Jimi wrote “Catharina (Return of little wing)” on top of the sheet, next to the song title ‘My Angel,’ as a dedication to the girl who kept him company during his stay in Gothenburg.
In addition to including her name in ‘1983... (A Merman I Should Turn to Be),’ Jimi also recorded a version of this song on 13 March 1968 in New York with a group of musicians. It was logged under the title ‘Angel Catarina.’